Richard’s signature style lays down dense topographical backdrops, bold, colourful and joyful, often on a grand scale. He describes his working method as one where each painting has been generated by the narratives of the one before it; in this way the works constitute something like the screengrabs of a constantly mutating, recombinant project. His work expresses how our currencies, which so often include the pop cultural material that we’ve all assimilated and loved in its various forms, are in some sense tribal and reach beyond mere product or commodity to become shared symbols, a lingua franca.
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