artists

"Aaron Kereopa, a fine art surfboard sculptor whose work utilises a visual language that behaves as a code. Aaron draws on universal and personal themes such as Māori mythology, geography, his ancestors, navigation and pop art cultures, creating contemporary Polynesian artworks from home using up-cycled surfboards. Whakapapa: Ngāti Tahinga, Ngāti Hine, Ngāti Porou"

Adele’s landscape work is best described as Contemporary Realism. Working only in oils, capturing a moment of light, adding detail to create atmosphere, making the viewer feel they are actually there. The moment is gone in an instant, but the image left on the canvas leaves us with a feeling of place and timelessness. Represented by New Zealand Galleries, Adele's work can be found in Private and Commercial collections here and overseas.

Alice Berry is an abstract artist in New Zealand. She has a distinct style that is colourful, fun and not the expected. She paints with passion and draws on her experiences to inform her work. Her love of nature can be seen in the shapes and textures in her artworks. She doesn't believe in colouring between the lines which you'll see as you look closer and notice the paint spills out onto its frame.

"Alison Gilmour lives in coastal New Zealand, instilling a deep love of the sea inspiring her to paint its many forms. She captures the endless beauty of her environment with delicate brushwork – with a photo-realistic quality and hues which reflect the clarity, light and richness of the South Pacific. She is compelled to paint nature and symbols of the places she loves. Alison paints as she sees paradise, the absence of civilisation almost always apparent, light playing on pristine water, foliage and sand – preoccupied with colours of land and sea. These evocative paintings are striking, surprising and memorable."

Fine Art Photography artist Amanda King, created 'By The Horns,' in 2018 after capturing some of her favourite animal friends while living on their sheep and beef farm in Hororata, Mid Canterbury. Living on a farm allows her to be around these incredible creatures every day. She likes to capture their individual personalities and characters to create fine art prints, that have now created statement pieces for homes all over the world. Although animals are often the focus of her shots, she also focuses on landscapes, seascapes and botanical prints too.

"Amber is recognized for her fine detailed realism and strong contrasting lights. With each painting, Amber creates that, ”you can almost touch” factor. Along with removing background noise which makes you really focus on the beauty of the subject Amber's great brush skills and eye for detail come from being a qualified Signwriter, back in the days when they used a brush and paint, "

"On the northern edge of the Canterbury Plains, you will find Amy Hoedemakers and her studio. This established artist creates atmospheric paintings that allow the viewer to enter and wander within. Her work is familiar to aspects of the New Zealand landscape, yet not entirely obvious to specific places. Capturing the dreamy, dramatic and mystical quality, that is the New Zealand landscape. Her paintings draw us in, inviting us to linger, leaving behind our busy lives for a moment. Amy’s painting's give us a glimpse into another world, a sanctuary, a place to rest."

Angela Maritz fills gaps on walls with so much more than just a ""pretty picture"" - art that fills your heart with joy, uplifts and empowers you. It does this by evoking your own positive emotions. Conjuring your memories linked to your unique experiences or your desires. Whichever the case, this magnetism leads to a greater understanding of who you are, the things you like, love and potentially the things you need. Hanging art on your walls for this purpose, so that it can permanently reflect back at you, positively, provides sustenance to your emotional wellbeing. This is the intention behind the work which Angela creates.

Inspired by the works of Carl Jung and the use of symbolism and mythology in popular culture, Ann uses 3D casts made from resin and Plaster of Paris to create a landscape of sculpture on board, in which the play of light is also a primary focus. The Iconography Collection is an exploration of archetypes of popular culture. A growing interest in the work of Joseph Chilton Pearce has given rise to new area of exploration; the subjective nature of reality.

Anna Leyland is a contemporary New Zealand artist. Utilising pattern making and symbolism, her works invoke conversations relating to the celebration of diversity and multiculturalism within Aotearoa. Her work features in many galleries throughout New Zealand and in private collections all across the world. Anna’s works are directly influenced by the multicultural heritage of Anna and her son; Fijian, Wallisian, Futunaan, Scottish, Hungarian, English and Kiwi. “I have taken personal symbols and patterns from these different cultures and developed into my own, which then tell my story. My works are culturally diverse and inherently attract a diverse audience..."

Anna's works tend to be bold and feature intense hues. She strives through the use of colour and texture to create rich, vibrant paintings that have an immediate impact for the viewer. She is interested in the emotional response to a work. Anna has been painting and exhibiting for the last 20 years or so and has had many group and solo shows. Working from her Wellington studio (open by appointment) she supplies galleries around NZ. Anna's paintings have been published in a range of NZ art calendars, diaries, articles and books.

Emerging artist Anna Victoria has a love for heritage architecture and closely studies each building before rebuilding them in her own way; simplifying lines, enhancing symmetry and choosing soft, complementary tones. She has an unusual method, with all pieces created solely using the common presentation software Microsoft PowerPoint. She was driven to this experimentation during New Zealand’s first lockdown, without access to other tools. As PowerPoint has been made for screen, much trial and error has gone into translating her digital art into its physical form. The result is a series of limited edition Giclée prints on archival quality paper.

An award-winning artist, Annie has exhibited extensively in New Zealand and abroad for 15 years since graduating with Honours from Elam School of Fine Arts. She has lived and exhibited in London for a number of years and is currently based in New Zealand. Annie has built a strong following and recognition for her collectable works and coveted print series. Recent achievements include and having works in the collection the Private Collection of the Duke and Duchess of Cambridge, being a finalist in the 2019 Portage Ceramic Awards, and being a finalist in the Waiheke Small Sculpture Award 2020.

Brad Novak (aka New Blood Pop) is arguably NZ’s leading urban pop artist. His art practice covers two main themes. The first is the subjective nature of identity. The second deals with what he calls The Digital Dilemma - "This increasingly technological age hasn’t made us any happier, or connected us more deeply, rather it’s been doing the opposite!" Novak is the first artist in New Zealand’s history to exhibit with the global superstar group including Warhol, Haring, Lichtenstein, OBEY, Mr. Brainwash and BANKSY (Toronto, 2015). He currently shows internationally with galleries in the USA, Canada, UK and NZ.

I have been an exhibiting artist since 1998 and have had eleven solo exhibitions and many joint shows in New Zealand and in the USA. My work is in private and public collections around the world including the John Deere Art collection in Moline, Illinois. A modernist influence mixed with New Zealand culture is evident in my paintings and gives them a truly unique flavour. Aesthetics is always high on the agenda, I paint to please the eye and draw the viewer in. ​ As well as considering symbolism, meaning, and making statements, I make art that is about beauty.

Caroline Bellamy a graduate from the Ilam school of Fine Arts Christchurch, gained a bachelor of fine arts, majoring in painting (4 years / 2013-2016). Caroline is an established New Zealand artist. " It’s those very brush flourishes that make her paintings so arresting. Energetic, broad and boldly rectilinear, their crisp edges clearly define start and end points, enabling a complexity of colours to lie alongside one another in banded layers." From the valley rivers to the mountaintop alpine tarns, Bellamy is a passionate outdoor enthusiast and will tramp in these remote areas, often for days at a time.

I am 23 years old and currently live in Pukekohe. Over the last four years I have been a full-time student, and In mid-2021 I am set to graduate from Elam School of Fine Arts with a BFA (Hons). Primarily working in printmaking and painting, my works embody pattern and textural elements to create emotive and ambiguous compositions. Inspired by worldbuilding, I work with my own unique, imagined narrative providing the subject of my artmaking. For example, many of the figures present in my works, to me, are like friends. Many of my works provide a glimpse into my imagination.

Christian Nicolson has spent 15 years as a full-time artist. He loves to paint, sculpt, use photography, create installations, and make films. He has over 40 works in the Wallace’s art collection and been a finalist in the Wallace awards 7 times. He focusses on one solo exhibition a year but also has featured in many group shows such as sculpture on the gulf and sculpture on shore. Christian has also made an award winning feature film called This giant papier mache boulder is actually really heavy which was released in the US in 2018. Being creative is king.

Ché Rogers lives in New Plymouth, Taranaki, New Zealand, which he was drawn to by cheap real estate, good surf, and a Womad graphic design contract. Leaving graphic design in 2018 to pursue art and music full time, Ché currently combines all of his passions and is involved in projects throughout the country – painting, exhibiting, making music videos, performing live music and producing light installations. Interconnectedness is a central theme in Ché’s work. Concentric circles radiate outward and contract inward. His paintings pulse with energy and flow that bring to mind dynamic motifs of sound, light, growth and reflection.

Claire Wallwork is an Auckland based, mixed media, semi-abstract artist. Using nature as a metaphor for the challenges facing humanity, Claire weaves earthy, organic forms into intriguing original compositions. Paints, charcoals, conte crayons and other mediums are layered over each other, each revealing a little of what lay before it. Movement and dimension are created through the interaction of elements, often revealing a feminine perspective - curvy, rounded, and sensual. Represented by Flagstaff Gallery, Claire has exhibited in the ‘Protect and Protest’ Exhibition by the on-line Feminist Art Museum, through Upstairs Gallery, a solo pop-up and various art shows.

I use painting to tell my story in the same way a writer uses words. They are all related to our wonderful land and how we fit into it, I express this through composition, texture and my love of colour. Although my paintings tell my story the viewer doesn't have to see them with my eyes as the lovely thing about Art is everyone takes different things away.

Cora-Allan Wickliffe is a multidisciplinary artist of Māori and Niue descent. In recent years her practice has focused on her efforts to revive the art form of Hiapo, prior to this she completed her Masters in Visual Art and Design in Performance from AUT (2013). Her work is a part of major collections including The Museum of New Zealand Te Papa Tongarewa, Auckland War Memorial Museum and the Wallace Arts Trust. Cora-Allan was recently awarded a McCahon House Residency (2021) the Creative New Zealand Pacific Heritage Artist award (2020).

South Africa born Meiring emigrated with her family to New Zealand in 1997 where she has continued to paint full time. Meiring’s work offers a generous and unapologetic celebration of femininity, inviting us to share in an intense emotional experience of time, place and relationship. Utilising a rich palette, a consistent base of earthy tones speaks of the sunbaked continent of the artist’s origin. Meiring’s paintings are rich in colour, harmonious in form and portray a balance between vitality and silent meditation.

Daniella Hulme is a full-time established, published and award winning NZ artist. She has exhibited extensively throughout NZ and internationally since 1998. Her work is inspired by and is a combination of her own Dutch heritage and the Samoan heritage of her children Daniella is known for her large, vibrant, delineated, stylized oil paintings of Pacific Island women. Over the years she has created large series/bodies of work with themes of Pacific navigation, flora and fauna, bi-culturalism, urbanisation of Pacific culture in NZ and the idyllic settings of the Pacific .

David is a part time artist who has spent his working life farming in the hills of the East Coast and central North Island. Much of that time was spent working from horseback so it seems only natural that he would get inspiration for his art from the outdoors, with a focus on equine and wildlife subjects. David paints almost exclusively with pastels on either Pastel-mat board or Art Spectrum colour-fix paper

Auckland based artist Diana Peel creates impactful floral impasto paintings. Peel's paintings transform simple and refined shapes into dramatic scenery of graceful forms, brilliant colours and texture. Using a palette knife she drags and pulls her paint over the canvas, by not over working the marks she retains gestures in the luminous oil paint giving her surfaces a tactility and energy. Diana Peel is an established artist and tutor,exhibits her work in galleries throughout New Zealand. She is steadily growing her following with works now acquired into numerous private collections.

Dorothy Stowers, a creative and skilled weaver, has a strong connection to weaving and loves using contemporary material. For Dorothy, weaving is her way of embracing her culture, and she has discovered a deep passion for this beautiful craft over the last decade. "I create one of a kind Korowai for special people in this world, that I am yet to meet... I feel that knowing and connectedness in my spirit as I weave." Whakapapa: Ngāpuhi, Te Mahurehure

Fraser lives on Auckland's North Shore.He paints and illustrates children's books. The paintings, when designed, combine remembered and recorded dreams images, intuitive arrivals and spiritual siftings. For the person who might take them home it is a different matter. Then it is a diologue between them and the painting. The artist hesitates to inflict his concept in the face of far richer speakings going on. Life is spent with Loisi and Antonio in a bulging, upstairs three-bedroom apartment. The 'studio' is a moveable affair. Paintings are done throughout the lounge. Twenty three years of family alchemy has made this fun.

Born in Kazakhstan. Galina moved with to Kiev. She studied Fine Arts and Design at the Art College in Kiev from 1980 to 1983 and graduated with honours. She continued her art studies at the Art Academy in L’vov, West Ukraine from 1985 to 1990. Galina creates unique, texted media works with much mood and expression. She enjoys exploring and combining different materials and subjects including architectural features, historical images, Fashion and romantic impressions. Galina has exhibited in the Ukraine, Russia, Poland, Canada, Germany, the Czech Republic, exhibiting in the South Island of New Zealand since her arrival in 1996.

We are all living under the created light of Genesis one, where spirit, form and ideas meet in one perfect unity. As a realist artist, I am interested in revitalizing the historical drawing and painting techniques to represent contemporary experiences, drawing allusions to biblical themes with subtle allegories. I tend to work in series, keeping it pertinent to my biblical belief and to an ever-changing world that captures my imagination. My current series focus on interiors. It engages with the context of home, shedding a light on the mundane with a personal and intimate artistic vision.

Being an innovative craftsman fits comfortably with Glen Colechin’s engineering background. With a past career in product design and production engineering, he has a sound foundation with the skills to drive his creative core. “Art is everywhere,” Glen explains. “You need that creative eye to see it. That’s what makes me a good engineer.”

I'm a New Zealand artist living and working in Mount Eden, Auckland. Working mostly in oil on canvas, my paintings include local landscapes and the occasional still life, portrait and abstract piece. Much like art itself, the physical landscape offers an experience to be shared. I like to connect with people and places with my art, simplifying colour and line to accentuate commonly shared associations and emotions. Landscape art can take you back to your childhood or introduce you to your next adventure.

Hannah Jia born in the cultural center of China, Beijing, has been living in Auckland for the last 10 years. Her personal works combine traditional philosophical thinking with a very individualized exploration of modern art. The materials used in Hannah’s works are mostly from New Zealand beaches, in seeking the cultural connotation of ‘Heaven and man are united as one'. In her ceramic plates, she takes full advantage of the properties of slip, creating lively, unique and artistic images, which embodies her contemplation of love, hope and the relationship between man and nature.

Hannah Shand loves New Zealand’s native birds, and has a fascination with our beautiful and unique flora and fauna. Her other passion is drawing, and she creates realistic and timeless artworks using black fine-tip pens. Combining her passions with her love for the outdoors and photography, Hannah explores remote predator-free islands and bird sanctuaries, and draws inspiration from her wildlife encounters. It’s these precious moments that she portrays in her artwork, capturing each bird’s individual character. She creates her original artworks over two to eight weeks, carefully rendering all the fine details and bringing them to life.

I had such a happy carefree kiwi childhood and I find a lot of my inspiration for my work is drawn from those memories. My art also explores aspects of iconic New Zealand scenery and symbolism connected with my beloved geometric patterns from the 1970s. My work is contemporary. I would describe it as an explosion of bold strong colour and texture, which is my distinctive trademark. I use acrylic and mixed media on canvas and board with resin effects.

I have been painting professionally for 26 years. I am passionate about colour and form, and am enjoying applying this process to canvas. Drawn to pattern, I am using this in my abstract landscapes and still lifes. I work loosely without a plan, allowing the painting to develop instinctively.

The main part of my private work was always B&W Photography and there in special B&W Infrared Photography. Since two decades I work with my 6x17cm Technorama cameras and take my landscape photographs worldwide. I still work on film and develop my negatives and my silver gelatine prints by myself. Meanwhile I published many books and calendars and part of my work goes to galleries or collectors all over the world.

"Titled 'Black, White & Colour', Ilan Wittenberg's first exhibition featured portraiture, landscape and fine art.'Faces of Jerusalem' portfolio was exhibited at Te Uru Waitakere Contemporary Gallery in 2015.The 'Bare Truth' series was exhibited at the 2016 Head On Photo Festival in Sydney. 'From here to Africa - The Maasai People' collection was exhibited at UXBRIDGE Gallery in early 2020. Ilan is a judge in photographic competitions. He is NZIPP 2020, 2018, 2016 & 2015 Auckland Photographer of the year. Wittenberg has a B.Sc. degree in Industrial Engineering and an M.B.A. in Information Technology."

Having recently sold a business, and with his wife Carla’s support, Adamson is now embracing his long harboured interest in sculpting with wood. Using boat-building techniques he is experimenting and developing his own style of sculpture. For Adamson, wood is a natural pleasure to work with. As he works, the process comes from an instinctual space. He enjoys the physicality of the forms he creates, emulating natural shapes, flowing lines and working with the organic nature of the material.

In an age where speed and instant gratification seem to permeate every corner of our lives, Jane’s paintings offer a space for thoughtful reflection. ‘Spirituality’ is a word contemporary artists and writers tend to avoid, favouring instead words like ‘ethereal’ or ‘intangible’. Blackmore’s landscapes are unashamedly spiritual. When we look at her landscapes and seascapes, we sense that we ourselves have inhabited these places, perhaps as children, perhaps in memory, or perhaps in a dream.

"I studied in London at the Slade School of Fine Arts, London University in 2001 with the express desire to deconstruct my art practice; with help from workshops with Max Gimblett and an American Art school - many many international and national exhibitions later, these paintings and sculptures emerge. I use Cold Wax, Oil and pigments on both canvas and Ceramic Forms. My practice keeps evolving as my/our world keeps revelling itself to me, I can't be static even when the market sometimes demands this. The patina of scrapes, scars, DNA, tears and years are all there now."

Jane is a celebrated contemporary landscape painter and has sold her work for over 25 years. She was selected as one of New Zealand’s favourite artists, particularly for her paintings of Northland. This land of exceptional beauty is meaningful to Jane, as her family has lived in the Bay of Islands for generations - settling there in the early 1800s. Her inspiration to paint arises from the clear blue skies, ever changing hues of the sea, and deep colours lying within the forms of the land – all of which provide a play of contrast in New Zealand’s brilliant light.

As a painter, I take information from the world so as to create other possible worlds; the interconnectedness of living and non-living elements merging as one. My discovery process starts with daily walks, and the observations made of the micro-worlds uncovered by my dog as we pause to sniff, look and absorb. My paintings are on cradled panels, created with oil paint and beeswax medium which is locally sourced. This year I will complete my Masters of Fine Art at Elam, University of Auckland.

"Janice Napper is a contemporary multi-media artist utilising a rich high gloss palette to generate distinctively vibrant artworks. The fluidity of her captivating works exudes a confidence from this self-taught artist pushing her resin and gelcoat mediums to the limit. She draws her subject matter from living things often with the detail stripped away and reflecting the essence of things New Zealand. However an increasingly large portion of her work is now devoted to her love of abstract and form. Her background in advertising is evident in her cutting-edge creative ideas coupled with a strong understanding of design and composition."

"Jenni’s bright, textured and complex oil paintings often portray a view of life as if seen through a kaleidoscope, reflecting her connection to cubism and expressionism, with a palette uniquely influenced by a life in the subtropical north. Jenni is a full-time artist and lives in Devonport, Auckland. She has had three solo shows and multiple group shows throughout her art career. Jenni’s vibrant work can be found in various collections throughout New Zealand and overseas."

I have been painting professionally for over 20 years and and I'm represented in galleries in Auckland and around New Zealand. Living in Titirangi, I am in close proximity to the West coast and many of my paintings feature the land and sea from the Manukau Harbour to Piha and further north. I use a lot of unconventional painting methods including sprays, oil stick, texture and resins to achieve the "feel" of the landscape.

Jimmy James Kouratoras, whose creative practice presents an aesthetic of vibrant exchanges that proudly reflects his indigenous Māori and Greek ancestry through colour, texture and form. Jimmy’s work has received critical acclaim both at home and internationally where he has exhibited in New York, Beijing, Hawaii and New Zealand. ""Rather than rely on simply replicating traditional motifs and symbols, I choose living Indigenous methodologies and practises such as karakia (prayer), rongoa (medicine) and carving, the colloquial form and texture of Indigenous architecture, creation stories and ritual as my guiding sources."" Whakapapa: Ngāti Tiipa, Greek

In my current body of work I draw my inspiration from the stunning16th century Dutch masters of the floral still life genre. I use some of their techniques and style and add my own contemporary feel with more simplified arrangements and black backgrounds. I’m drawn to the concept of kalopsia throughout my work which is to make something appear more beautiful than it really is. I like my flowers to look as perfect and beautiful as they can be as if forever frozen in time at their peak.

Joe Kemp, a contemporary sculptor and carver from the Bay of Plenty. Joe uses the Wairua (essence) in each piece, and any special features and grains in the stone and wood to bring forth its mauri (life force). ""I sense a connection with Tane Mahuta (the life force of the tree) as I’m working with the wood. I look to bring out the wairua (essence) in each piece, starting from where the material originated and by honouring any special features and grains that each piece may have."" Whakapapa: Ngai Tahu, Ngāpuhi and Te Arawa (Ngāti Makino)

Joel is a Christchurch artist who has gained prominence for both his studio and mural work. Combining elements of stencil, print and more traditional processes, his graphic works often reveal themes such as beauty, mortality and decay, all filtered through a sophisticated use of technique, colour and balance that reflect his design background and imbue his work with an undeniable attraction.

Joni Murphy is a fulltime Professional Artist in New Zealand. Her paintings are large scale works which draw the viewers' attention to endemic and native plant life. “My intention is to evoke nostalgic memories of wildflower dells, native bush and forests, the feeling of being within the environment of our untamed earth. I hope to bring to attention the dependency we have on our botanical life, for our physical wellbeing and our spiritual/emotional wellbeing too. Working in fluid mediums, informed by living specimens gathered from her surroundings. It is a process of being present to what comes, discovering new subtleties.

In my paintings I reconstruct aspects of natural forms and textures. I would like the viewer to connect subconsciously, to get drawn into discovering the paintings aspects and to be enriched by the formal beauty of the abstract form. Inspired by natural forms and colors, my interest in architecture and the phenomena of the Fibonacci numbers and Golden Ration are also reflected in my work. I follow these principles of design to create aesthetic value. I’m represented by galleries throughout New Zealand as well as overseas; my work has sold to collectors around New Zealand, Australia, USA, Switzerland and Germany.

Joshua is a 24 year old self-taught contemporary painter and sculptor with a diverse body of work themed around portraiture and botanics. He works with oils, acrylic, wood, epoxy resins and spray paint to create artwork that hopes to blur the line between painting and sculpture.

Juliet Best celebrates the atmospheric beauty and moods of New Zealand’s coastlines and landscapes with her art. She creates paintings that have strong horizon lines with beautifully layered waters and skies. Completing the artwork is a highly textured land-form hand gilded with softly glowing gold-leaf. The many layers and careful rendering of the gold-leaf landscapes lends a subtlety and luxurious elegance to the paintings in softly changing lights. All work is on NZ hand-stretched canvas, and is fully UV protected with professional artist grade varnish. Juliet has painted landscapes, native birds, flora and fauna over many years.

I work in a variety of media. Often dictated by the idea I am studying at the time. My work has a sense of Aotearoa, through subject matter and other references such as artist influences like McCahon and Walters. I have a keen interest in people, culture, and symbolism. My time living and teaching Visual Art in Shanghai has influenced by current work since 2010. I want my work to question, to push and to ask the viewer to rethink the narrative. My vocabulary is the media, the subject, and the compositional conventions.

Kara Burrowes is a predominantly, urban-inspired multimedia artist. Her practice is been grounded in the urban landscape and interpretation of it. By observing the city on a macro and micro scale, she identifies items of interest that could be considered commonplace or disinteresting and reinterprets them. The resulting artworks are often reclassified into items that are precious and alluring with an emphasis on remnants and reuse. Kara has a degree in Landscape Architecture, and a degree in Fine Arts. All have contributed to her interest in the landscape, natural materials, design and art.

Katie was born in New York and graduated from The University of the Arts in Philadelphia in 1988. Her studio is now located on Waiheke Island. She is a colourist and representational painter with a contemporary, fresh approach to her practice. Her palette is based on impressionism. Multiple layers of oil paint are mixed and applied in a way that creates a colour resonance. Larger than life objects often take on an anthropomorphic look as they lean into and relate to one another on the canvas. Her work is recognised and collected internationally. She exhibits in the US and NZ.

Acrylic portrait artist, Kayra Yildiz, creates thought provoking pieces focusing on representing figures through her own eyes.

Kirsty Black loves to unleash colour, shape, line, and form to create refreshing, expressive abstract artworks. Painting from her studio in Maraetai, Auckland she is driven by a sense of curiosity and adventure. Growing up Kirsty travelled extensively, living and working in multiple countries around the world. Consequently, the lasting impression of colours, smells, sounds and energy is distilled into her work. Great conversation starters her artwork lifts the spirit and frees the imagination, allowing you to dive into the colour, get lost in the twists and turns, loop in, out and off.

I work in clay and steel (mild/Corten) using both mediums to convey a sense of movement and continuum. The ceramic pieces are created on a wheel and fired to 1100 degrees. The steel pieces are made on a purpose built steel press and either oxidised naturally (Corten) or galvanised and painted (mild) on both. I hope your eye will continue to wander without too much interruption!